By Waters, Clara Erskine Clement
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Extra resources for Angels
When archangels are represented merely as belonging to their order as opposed to their distinctive offices, they are depicted in complete armour, bearing swords that point upwards and often carrying a trumpet. Angels are robed and represented in accordance with the work in which they are engaged. While the wand is an angelic symbol, it is often omitted in order to depict the angel in a specific action – for example The Annunciation Fra Angelico, 1433-1434 Tempera on wood, 150 x 180 cm Museo Diocesano, Cortona 48 49 when the hands are folded in prayer or musical instruments are in use, in addition to other circumstances.
They embody unique power, wisdom, innocence and spiritual love. In the earliest pictures of angels the drapery was abundant and no unusual attitudes, no insufficient robes, nor unsuitable expression was seen in such representations so long as religious art was at its best. Virgin and Child (Madonna della Stella) (shrine containing the relics of the SS. Dominic, Thomas Aquinas, and Peter Martyr) Fra Angelico, 1434 Tempera on wood panel, 84 x 51 cm Museo Nazionale di San Marco, Florence 52 53 White was the prevailing colour of angelic drapery, but delicate shades of blue, red and green were frequently employed.
Gradually they became increasingly more childlike and are depicted as little baby heads with small wings folded under the chin, symbolising innocence. Evidently, these illustrations fail Madonna del Belvedere Ottaviano Nelli di Martino, 1404 Tempera on stone Santa Maria Nuova, Gubbio 32 33 to convey the original, spiritual significance of the seraphic and cherubic head. 20: “And the cherubim shall stretch forth their wings on high, covering the mercy seat”. In Ezekiel, we read that “their wings were stretched upward when they flew; when they stood they let down their wings”.